Thursday, September 4, 2008

Gustav Klimt The Bride painting

Gustav Klimt The Bride paintingGustav Klimt Hope paintingClaude Monet The Seine At Argenteuil painting
location among its tiers of the several sorts of offenders; there was evidence, even, of a moral logic in its architecture. But in practice we were assorted by no discernible plan: I for example had been taken from the noose at Stoker's direction and detained for impersonating a Grand Tutor; the cells for that species of error were in the fourth block of the third, or bottom, tier, counting downwards; yet I had waked first in an observation-chamber for the criminally mad and later in the company of an alleged murderer, an alleged spy, and an alleged rapist (such was the charge against Peter Greene, who after reviving from Dr. Sear's sedation had on the evening of my fall tracked Anastasia into an alleyway behind the Old Chancellor's Mansion and there, by his own dour admission, flung My Ladyship upon the pavement and forced her virtue "redskin style"), no two of whom belonged in the same stratum. Moreover, at each return from work or exercise there was no telling where one would be confined, or with whom: I might be lodged alone or crammed into a cell with ten others in an empty tier; my companions might be fellow-impostors -- false dons and pretended sophomores -- or some of the many grafters, gamblers,

1 comment:

PaintingHere.com said...

Gustav Klimt The Bride painting"