Pablo Picasso Weeping Woman with Handkerchief paintingPablo Picasso Three Women paintingPablo Picasso Three Dancers painting
devotees.
Hubal and Kain look down on Grandee and poet as they stroll. And the Nabataean proto-Dionysus, He-Of-Shara; the morning star, Astarte, and saturnine Nakruh. Here is the sun god, Manaf! Look, there flaps the giant Nasr, the god in eagleform! See Quzah, who holds the rainbow ... is this not a glut of gods, a stone flood, to feed the glutton hunger of the pilgrims, to quench their unholy thirst. The deities, to entice the travellers, come -- like the pilgrims -- from far and wide. The idols, too, are delegates to a kind of international fair.
There is a god here called Allah (means simply, the god). Ask the Jahilians and they'll acknowledge that this fellow has some sort of overall authority, but he isn't very popular: an all--rounder in an age of specialist statues.
Abu Simbel and newly perspiring Baal have arrived at the shrines, placed side by side, of the three best-beloved goddesses in Jahilia. They bow before all three: Uzza of the radiant visage, goddess of beauty and love; dark, obscure Manat, her face averted, her purposes mysterious, sifting sand between
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