Thursday, February 26, 2009

Henri Rousseau Surprise

Henri Rousseau SurpriseHenri Rousseau Sleeping GypsyHenri Rousseau Scout Attacked by a TigerHenri Rousseau Merry Jesters
Indeed, if anything, Boyle's magical tale, with its unconvincing one-dimensional characters and absurd plot devices, the heart of Mumbai. The film's depiction of the legendary Dharavi, to some one million people, is that of a feral wasteland, with little evidence of order, community or compassion. Other than the children, the "slumdogs," no-one is even remotely well-intentioned. Hustlers, thieves, and petty warlords run amok, and even Jamal's schoolteacher, a thin, bespectacled man who introduces him to the Three Musketeers, is inexplicably callous. This is a placgreatly understates the depth of suffering among India's poor. It is near-impossible, for example, that Jamal would emerge from his ravaged a dewy complexion and an upper-class accent. But the real problem with "Slumdog" is neither its characterization of India as just another Third World country, nor, within this, its shallow and largely impressionistic portrayal of poverty.The film's real problem is that it grossly minimizes the capabilities and even the basic humanity of those it so piously claims to speak for. It is no secret that much of "Slumdog" is meant to , the 213-hectare spread of slums at e of evil and decay; of a raw, chaotic tribalism.

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