Diego Rivera The Flower Seller painting
Frank Dicksee Romeo and Juliet painting
down on very crimson cheeks. One hand was held by Fred, who stood with his face bent toward her, stammering something in low earnest tones. There were no other people in the world except their two selves at that magic moment; so neither of them saw Anne, who, after one dazed glance of comprehension, turned and sped noiselessly back through the spruce wood, never stopping till she gained her own gable room, where she sat breathlessly down by her window and tried to collect her scattered wits.
"Diana and Fred are in love with each other," she gasped. "Oh, it does seem so. . .so. . .so hopelessly grown up."
Anne, of late, had not been without her suspicions that Diana was proving false to the melancholy Byronic hero of her early dreams. But as "things seen are mightier than things heard," or suspected, the realization that it was actually so came to her with almost the shock of perfect surprise. This was succeeded by a queer, little lonely feeling. . .as if, somehow, Diana had
Showing posts with label Diego Rivera The Flower Seller painting. Show all posts
Showing posts with label Diego Rivera The Flower Seller painting. Show all posts
Thursday, July 3, 2008
Tuesday, June 10, 2008
Diego Rivera The Flower Seller painting
Diego Rivera The Flower Seller painting
Edward Hopper Ground Swell painting
Lo, she is one of this confederacy!Now I perceive they have conjoin'd all threeTo fashion this false sport, in spite of me.Injurious Hermia! most ungrateful maid!Have you conspired, have you with these contrivedTo bait me with this foul derision?Is all the counsel that we two have shared,The sisters' vows, the hours that we have spent,When we have chid the hasty-footed timeFor parting us, -- O, is it all forgot?All school-days' friendship, childhood innocence?We, Hermia, like two artificial gods,Have with our needles created both one flower,Both on one sampler, sitting on one cushion,Both warbling of one song, both in one key,As if our hands, our sides, voices and minds,Had been incorporate. So we grow together,Like to a double cherry, seeming parted,But yet an union in partition;Two lovely berries moulded on one stem;So, with two seeming bodies, but one heart;Two of the first, like coats in heraldry,Due but to one and crowned with one crest.And will you rent our ancient love asunder,To join with men in scorning your poor friend?It is not friendly, 'tis not maidenly:Our sex, as well as I, may chide you for it,Though I alone do feel the injury.
HERMIA
I am amazed at your passionate words.I scorn you not: it seems that you scorn me.
Edward Hopper Ground Swell painting
Lo, she is one of this confederacy!Now I perceive they have conjoin'd all threeTo fashion this false sport, in spite of me.Injurious Hermia! most ungrateful maid!Have you conspired, have you with these contrivedTo bait me with this foul derision?Is all the counsel that we two have shared,The sisters' vows, the hours that we have spent,When we have chid the hasty-footed timeFor parting us, -- O, is it all forgot?All school-days' friendship, childhood innocence?We, Hermia, like two artificial gods,Have with our needles created both one flower,Both on one sampler, sitting on one cushion,Both warbling of one song, both in one key,As if our hands, our sides, voices and minds,Had been incorporate. So we grow together,Like to a double cherry, seeming parted,But yet an union in partition;Two lovely berries moulded on one stem;So, with two seeming bodies, but one heart;Two of the first, like coats in heraldry,Due but to one and crowned with one crest.And will you rent our ancient love asunder,To join with men in scorning your poor friend?It is not friendly, 'tis not maidenly:Our sex, as well as I, may chide you for it,Though I alone do feel the injury.
HERMIA
I am amazed at your passionate words.I scorn you not: it seems that you scorn me.
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