Bouguereau Evening Mood painting

Bouguereau Evening Mood painting
Bouguereau The Wave painting
Cabanel The Birth of Venus painting
Rivera The Flower Seller, 1942 painting He bawls loud enough to deafen a precentor,” continued Gauchère. “Hold your tongue, you little bellower!”
“And to say that the Bishop of Reims sent this monstrosity to the Bishop of Paris!” exclaimed Gaultière, clasping her hands.
“I expect,” said Agnès la Herme, “that it is really a beast of some sort, an animal—the offspring of a Jew and a sow; something, at any rate, that is not Christian, and that ought to be committed to the water or the fire.”
“Surely,” went on La Gaultière, “nobody will have anything to do with it.”In truth, Claude Frollo was no ordinary person.
He belonged to one of those families which it was the foolish fashion of the last century to describe indifferently as the upper middle class or lower aristocracy.
The family had inherited from the brothers Paclet the fief of Tirechappe, which was held of the Bishop of Paris, and the twenty-one houses of which had, since the thirteenth century, been the object of countless litigations in the Ecclesiastical Court. As owner of this fief, Claude Frollo