Rivera Portrait of Natasha Zakolkowa Gelman painting

Rivera Portrait of Natasha Zakolkowa Gelman painting
Dali The Rose painting
Gogh Starry Night over the Rhone painting
Gogh Irises painting
In front of the row of spectators, stooping low over the bed, were four of them whom by their gray cagoules—a kind of hooded cassock—one recognised as belonging to some religious order. I see no reason why history should not hand down to posterity the names of these discreet and venerable dames. They were: Agnès la Herme, Jehanne de la Tarme, Henriette la Gaultière, and Gauchère la Violette—all four widows, all four bedes-women of the Chapelle étienne-Haudry, who, with their superior’s permission, and conformably to the rules of Pierre d’Ailly, had come to hear the sermon.
However, if these good sisters were observing for the moment the rules of Pierre d’Ailly, they were certainly violating to their heart’s content those of Michel de Brache and the Cardinal of Pisa, which so inhumanly imposed silence upon them.
“What can that be, sister?” said Agnès la Gauchère as she gazed at the little foundling, screaming and wriggling on its wooden pallet, terrified by all these staring eyes.